Blog

Anri Sala's The Last Resort has journeyed through wind and waves to reach Marian Goodman Gallery in New York, where it is now on display alongside Sala's latest works of video and sculpture. Read More

Catch up on the full program of talks, panel discussions and performances that took place during Kaldor Public Art Project 33: Anri Sala, The Last Resort with all videos now available to watch online. Read More

Having wrapped Kaldor Public Art Project 33: Anri Sala, The Last Resort, we look back and reflect on how this installation for Sydney fits within the broader picture of Sala’s practice. Read More

For the past ten years, Anri Sala has been working with sculptural installations that include drums: single drums alongside video installations or configurations of several drums overlaid with sound. Hung upside down or laid on their side, Sala’s drums take on a peculiar anthropomorphic quality. They appear to play themselves or, to be more precise, the music plays them: their sticks move in response to vibrations emanating from speakers hidden within. Read More

This week we take a look back at one of Anri Sala’s earliest works, a video titled Intervista (Finding the Words), 1998, which Sala developed as an art student in Paris. Read More

This year all eyes are on Athens in the wake of Documenta14, a five yearly exhibition of contemporary art that this year made its debut in Greece. Lately associated with Europe's financial crisis, Greece has emerged as a hub of creative activity and progressive thought: fertile ground for artists to interrogate and discuss Europe's social and political future. Read More

As Kaldor Public Art Project 33 approaches, we’ll be spending the coming weeks sharing insights into Anri Sala’s fascinating practice and past artworks. Read More