HOW TO PRODUCE A PUBLIC ART PROJECT

HOW TO PRODUCE A PUBLIC ART PROJECT

“I had the master key to the island. And I’m the worst person to give a master key to, because I opened every door and went into every building and looked at everything. It was amazing.”

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CONSTRUCTING 21 BEACH CELLS

CONSTRUCTING 21 BEACH CELLS

“I was going with John to see Waverley Council… [Schneider] thought he could plonk this thing on Bondi anywhere, he didn’t realise sometimes Bondi gets these massive waves and so forth.
The other thing was with the beach runners, they were very difficult to deal with. We had to make this distance for them between the wall and the artwork so that they weren’t interrupted, they wouldn’t run around it.…That was a fascinating job, it really was.”

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