Project 33
Anri Sala

Project Summary

Celebrated French-Albanian artist Anri Sala has created an innovative new installation of sculpture and sound for the 33rd Kaldor Public Art Project, which has been developed over three years ahead of its world-premiere in Sydney. The Last Resort is co-presented with Art & About Sydney.

Sala’s project will transform the Observatory Hill Rotunda, a site with expansive views from the most elevated point in the city. Audiences will be invited to step beneath a gravity-defying ensemble of custom-built drums, to experience their rhythmic, live response to a contemporary interpretation of a Mozart Concerto. Set against the sights and sounds of the harbour below, this musical dialogue animates the relationship between sound, place, time and history on this evocative site. These themes will form the basis of a vibrant suite of public programs presented during the project in partnership with the Museum of Applied Arts and Sciences.

For The Last Resort Sala has reimagined Mozart’s Clarinet Concerto in A Major, a seminal piece from the Western canon and a musical expression of the European Enlightenment. Mozart’s score is upended, as if it were a message in a bottle carried from Europe across the ocean to Australia, affected by wind and waves. This abstraction of the score’s structure expresses the way shifts of location, time and perspective alter meaning.

Sala has achieved international acclaim for his works, which explore themes of loss and language, as well as the relationship between sound, space and architecture. These themes have been expressed through poetic video works, live performance and recordings, sculptures and installation. In recent works Sala has explored the complex interplay between live and recorded musical compositions.

The Last Resort
13 October – 5 November 2017
Observatory Hill, Sydney

 

This artwork has been co-commissioned with international partners Esther Schipper, Berlin, and Marian Goodman Gallery, New York and Paris.

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BiographyBack to top

Anri Sala

Anri Sala’s works of film, sculpture and installation create poetic analogies that reflect on life and culture from different frames of experience. Past works have traversed European contexts, from his hometown, Tirana, Albania, to Germany and France where he has spent much of his adult life. His films balance allegorical and symbolic subjects, presented as simple narratives that often creatively pair image with sound, and explore the choreographic potential of musical instruments and their performers.
 
Sala has represented France in the Venice Biennale, participated in Documenta 13, Kassel, and has presented solo exhibitions at Centre Pompidou, Paris, and New Museum, New York. He was recently commissioned to create an immersive installation for the Seawall House on Teshima Island, Japan.

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