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	<title>PROJECT 01: CHRISTO AND JEANNE-CLAUDE &#8211; Kaldor Public Art Projects</title>
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	<title>PROJECT 01: CHRISTO AND JEANNE-CLAUDE &#8211; Kaldor Public Art Projects</title>
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		<title>Art Without Barriers</title>
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		<pubDate>Thu, 08 Jul 2021 00:52:57 +0000</pubDate>
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					<description><![CDATA[As country kids we took up every opportunity to see sophisticated Sydney. We were in awe of the teamwork and the originality of the idea.]]></description>
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		<span class="fl-heading-text">SANDRA MARSH AND RHIANNON BOWMAN</span>
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	<p><em><p>As country kids we took up every opportunity to see sophisticated Sydney. We were in awe of the teamwork and the originality of the idea.</p>
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						<div id="caption-60e64c8956f74" itemprop="caption" class="fl-photo-caption fl-photo-caption-hover">Sandra Marsh and Rhiannon Bowman sitting on the cliffs of Little Bay during Christo and Jeanne-Claude's <em>Wrapped Coast</em>, 1969</div>
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	<p align="left"><span lang="en-AU">When Sandra Marsh and Rhiannon Bowman moved from the small town of Inverell to commence their teaching careers in Sydney, the wrapping of a coastline near the city was high on their list of things to see. Sandra remembers visiting Little Bay on an overcast day in 1969:</span></p>
<blockquote>
<p class="western" align="left"><em><span lang="en-AU">As country kids we took up every opportunity to see sophisticated Sydney. We were in awe of the teamwork and the originality of the idea.</span></em></p>
</blockquote>
<p align="left"><span lang="en-AU">There were no barriers between the public and the art, and visitors were able to get close to Christo, Jeanne-Claude and the volunteers as they worked on the installation. This made a lasting impression on Rhiannon:</span></p>
<p style="padding-left: 40px;" align="left"><em><span lang="en-AU">It was quite a surreal experience and thrilling to see something so far from our experience of life and so avant-garde. We were so keen to leave Australia behind, go to Europe and see the world and yet here was a world-famous artist doing something extraordinary</span><span lang="en-AU"> o</span><span lang="en-AU">n</span><span lang="en-AU"> our doorstep.</span></em></p>
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	<h5 align="left"><a href="https://kaldorartprojects.org.au/projects/project-1-christo-jeanne-claude/" target="_blank" rel="noopener">READ MORE ABOUT<br />
PROJECT 01: CHRISTO AND JEANNE-CLAUDE</a></h5>
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		<title>I went to mock and stayed to pray</title>
		<link>https://kaldorartprojects.org.au/archives/i-went-to-mock-and-stayed-to-pray/</link>
		
		<dc:creator><![CDATA[reason8]]></dc:creator>
		<pubDate>Wed, 07 Jul 2021 23:58:22 +0000</pubDate>
				<guid isPermaLink="false">https://kaldorartprojects.org.au/?post_type=archives&#038;p=3846</guid>

					<description><![CDATA[I said at the time, ”I went to mock and stayed to pray.” I had not expected it to be so powerful.]]></description>
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		<span class="fl-heading-text">I went to mock and stayed to pray</span>
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		<span class="fl-heading-text">MARIE AND PETER DUFFY</span>
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	<p><em><p>I said at the time, ”I went to mock and stayed to pray.” I had not expected it to be so powerful.</p>
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	<p align="left"><span lang="en-AU">Peter Duffy was 10 years old when his mother Marie took him and his sister to visit Christo and Jeanne-Claude’s Wrapped Coast:</span></p>
<p class="western" style="padding-left: 40px;" align="left"><em><span lang="en-AU">It was the era of the ”Sunday drive”. On that Sunday we picked up my grandmother and went out to Watson’s Bay for lunch at Doyles, then we drove out to Little Bay.</span></em></p>
<p class="western" style="padding-left: 40px;" align="left"><em style="font-family: system-ui, -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"><span lang="en-AU">I was surprised at how the cloth was tied to the cliff and rocks. It was very different to anything I had ever seen before, although I was only 10 years old!</span></em></p>
<p class="western" style="padding-left: 40px;" align="left"><em><span lang="en-AU">I have managed to find the few photos that I took at the time.</span></em></p>
<p align="left"><span lang="en-AU">Marie Duffy was unsure of what she would find at Little Bay:</span></p>
<p class="western" style="padding-left: 40px;" align="left"><em><span lang="en-AU">[We] all came together from Turramurra in a Mini Minor to view the wrap-up because it was something of interest in Sydney—a curio—not because I was especially interested in art. </span></em></p>
<blockquote><p><em>I said at the time, ”I went to mock and stayed to pray.” I had not expected it to be so powerful.</em></p></blockquote>
<p class="western" style="padding-left: 40px;" align="left"><em><span lang="en-AU">To my amazement, seeing the wrap-up was a profoundly moving experience, and I told as many people as I could. Both my children remember it well, and my son has been interested in Christo ever since.</span></em></p>
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	<h5 align="left"><a href="https://kaldorartprojects.org.au/projects/project-1-christo-jeanne-claude/" target="_blank" rel="noopener">READ MORE ABOUT<br />
PROJECT 01: CHRISTO AND JEANNE-CLAUDE</a></h5>
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		<title>Bright Coloured Rope</title>
		<link>https://kaldorartprojects.org.au/archives/bright-coloured-rope/</link>
		
		<dc:creator><![CDATA[reason8]]></dc:creator>
		<pubDate>Wed, 07 Jul 2021 06:51:07 +0000</pubDate>
				<guid isPermaLink="false">https://kaldorartprojects.org.au/?post_type=archives&#038;p=3833</guid>

					<description><![CDATA[I was seven and I remember walking over the material and seeing the bright coloured rope everywhere.]]></description>
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		<span class="fl-heading-text">GEOFF STEVENSON</span>
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				<img decoding="async" class="fl-photo-img wp-image-3834 size-full" src="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic.jpg" alt="Bright Coloured Rope" height="1080" width="1593" title="MAIN waugh-ellen-1969-detail-of-ropes-and-plastic"  itemprop="image" srcset="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic.jpg 1593w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-600x407.jpg 600w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-1210x820.jpg 1210w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-360x244.jpg 360w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-768x521.jpg 768w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-1536x1041.jpg 1536w" sizes="(max-width: 1593px) 100vw, 1593px" />
						<div id="caption-60e54ef63759d" itemprop="caption" class="fl-photo-caption fl-photo-caption-hover">Detail of rope and fabric used in Christo and Jeanne-Claude's <em>Wrapped Coast</em>, 1969. Photo: Ellen Waugh</div>
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	<p style="padding-left: 40px;" align="left"><em><span lang="en-AU">I was seven and I remember walking over the material and seeing the bright coloured rope everywhere. I saw it a few times I think as we lived nearby. My Grandmother and I collected the material and rope at the end of the exhibition and she had it for years and years around her house and in the garden.</span></em></p>
<h5 align="left">– Geoff Stevenson</h5>
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																	<a href="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-waugh-ellen-1969-detail-of-ropes-and-plastic-1210x820.jpg" target="_self" data-caption="Detail of rope and fabric used in Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969. Photo: Ellen Waugh" aria-label="Detail of rope and fabric used in Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969. Photo: Ellen Waugh">
					
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		<title>Wrapped Coast in Colour: Discovering a Lecturer&#8217;s Slides</title>
		<link>https://kaldorartprojects.org.au/archives/wrapped-coast-in-colour-discovering-a-lecturers-slides/</link>
		
		<dc:creator><![CDATA[reason8]]></dc:creator>
		<pubDate>Wed, 07 Jul 2021 06:44:27 +0000</pubDate>
				<guid isPermaLink="false">https://kaldorartprojects.org.au/?post_type=archives&#038;p=3827</guid>

					<description><![CDATA[There’s so much potential in art, and people are free to do anything now.]]></description>
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		<span class="fl-heading-text"><em>Wrapped Coast</em> in Colour: Discovering a Lecturer&#8217;s Slides</span>
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		<span class="fl-heading-text">ELLEN WAUGH</span>
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	<p><em><p>There’s so much potential in art, and people are free to do anything now.</p>
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	<p class="western" align="left"><span lang="en-AU">When Ellen Waugh first visited the site where Christo and Jeanne-Claude’s </span><span lang="en-AU"><i>Wrapped Coast </i>was due to be installed</span><span lang="en-AU">, it was because she heard talk that the artwork would ruin the coast of Little Bay. When she went to see for herself, she saw that the area was already being used as a rubbish dump. It was the public who were ruining the site.</span></p>
<p align="left"><span lang="en-AU">In 1969 Ellen was an art education lecturer at Alexander Mackie College and the University of Sydney. A proponent of art from the Asia Pacific region, Ellen encouraged her students to study contemporary art close to home, and recalls their cheers when she advised that there would be “no more Renaissance” art taught in her classes:</span></p>
<blockquote>
<p align="left"><em><span lang="en-AU">There’s so much potential in art, and people are free to do anything now.</span></em></p>
</blockquote>
<p align="left"><span lang="en-AU">Ellen visited the site at Little Bay several times, taking photos of the coast before and after the artwork was installed. She used Kodachrome film so she could project her photographs as slides for teaching. When asked how she contextualised the slides in her lectures, she says:</span></p>
<p style="padding-left: 40px;" align="left"><em><span lang="en-AU">My approach to it really was that Australian artists had gone to Europe, and here was someone from Europe coming and using the Australian landscape to provide an art that belonged in Australia.</span></em></p>
<p class="western" align="left"><span lang="en-AU">Ellen’s slides are a treasure trove of colour photographs of </span><span lang="en-AU"><i>Wrapped Coast</i></span><span lang="en-AU">, which until recently had only ever been seen by her students. The photographs reveal dynamic images of Christo working on the cliffs, a film crew covering the progress of the installation, and spectacular shots of the fabric stretched across the coastline. Ellen also captured striking details of the polypropylene fabric and bright orange rope, and visitors sitting on the wrapped cliff face.</span></p>
<p align="left"><span lang="en-AU">After the project concluded, the public were invited to take pieces of fabric and rope used in the installation. Ellen collected her own chest of fabric and length of rope for their value as teaching resources, but also as historical objects.</span></p>
<p class="western" align="left"><span lang="en-AU">When asked about the relevance of </span><span lang="en-AU"><i>Wrapped Coast</i></span><span lang="en-AU"> 50 years on, Ellen reflects: </span></p>
<p class="western" style="padding-left: 40px;" align="left"><em><span lang="en-AU">[Christo] wasn’t ruining a coastline, he was showing the sculptural possibilities of a coastline.</span></em></p>
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	<h5 align="left"><a href="https://kaldorartprojects.org.au/projects/project-1-christo-jeanne-claude/" target="_blank" rel="noopener">Read more about<br />
PROJECT 01: CHRISTO AND JEANNE-CLAUDE</a></h5>
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																	<a href="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/hero-image-waugh-ellen-1969-christo-little-bay-two-websize-1149x820.jpg" target="_self" data-caption="Colour photograph by Ellen Waugh of Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969, at Little Bay, Sydney" aria-label="Colour photograph by Ellen Waugh of Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969, at Little Bay, Sydney">
					
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																	<a href="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/waugh-ellen-1969-christo-supervising-web-size-1210x820.jpg" target="_self" data-caption="Colour photograph by Ellen Waugh of Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969, at Little Bay, Sydney" aria-label="Colour photograph by Ellen Waugh of Christo and Jeanne-Claude&#039;s &lt;em&gt;Wrapped Coast&lt;/em&gt;, 1969, at Little Bay, Sydney">
					
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								<div class="pp-image-carousel-item pp-image-carousel-link swiper-slide" role="group" aria-label="Ellen Waugh holds a box of Kodachrome slides of Wrapped Coast, which she photographed in 1969. Photo: Michael Waite">
																	<a href="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/ellens-hands-with-slide-box-_mg_1835-web-size-1229x820.jpg" target="_self" data-caption="Ellen Waugh holds a box of Kodachrome slides of &lt;em&gt;Wrapped Coast&lt;/em&gt;, which she photographed in 1969. Photo: Michael Waite" aria-label="Ellen Waugh holds a box of Kodachrome slides of &lt;em&gt;Wrapped Coast&lt;/em&gt;, which she photographed in 1969. Photo: Michael Waite">
					
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		<title>Like an Upward Waterfall</title>
		<link>https://kaldorartprojects.org.au/archives/like-an-upward-waterfall/</link>
		
		<dc:creator><![CDATA[reason8]]></dc:creator>
		<pubDate>Tue, 06 Jul 2021 03:17:33 +0000</pubDate>
				<guid isPermaLink="false">https://kaldorartprojects.org.au/?post_type=archives&#038;p=3794</guid>

					<description><![CDATA[As the wind lifted under the plastic, it gave the extraordinary impression that the sea was running up the cliffs—like an upward waterfall.]]></description>
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		<span class="fl-heading-text">Like an Upward Waterfall</span>
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		<span class="fl-heading-text">PATRICIA DUNN</span>
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	<p><em><p>As the wind lifted under the plastic, it gave the extraordinary impression that the sea was running up the cliffs—like an upward waterfall.</p>
</em></p>
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				<img decoding="async" class="fl-photo-img wp-image-3795 size-full" src="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px.jpg" alt="Like an Upward Waterfall" height="1080" width="1080" title="MAIN christo_coast_30_1600px"  itemprop="image" srcset="https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px.jpg 1080w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-600x600.jpg 600w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-820x820.jpg 820w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-360x360.jpg 360w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-768x768.jpg 768w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-300x300.jpg 300w, https://kaldorartprojects.org.au/wp-content/uploads/2021/07/MAIN-christo_coast_30_1600px-100x100.jpg 100w" sizes="(max-width: 1080px) 100vw, 1080px" />
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	<p align="left"><em>It was the day after Christo and Jeanne-Claude had opened the finished Little Bay project, </em>Wrapped Coast<em>. There had been rain and extreme winds overnight and the morning radio programmes were talking of how the project was “ruined”. I dropped my daughters off at school and decided I really must see Little Bay.</em></p>
<p align="left"><em>It was grey, cold and still very windy. I saw one person and went over. It was Jeanne-Claude, who said that Christo was very upset because his dream was spoiled—I saw him in the distance talking to a reporter.</em></p>
<p align="left"><em>When I looked around I was amazed. The wind had ripped the plastic covering the cliffs.</em></p>
<blockquote>
<p align="left"><em>The sea was pounding in and, as the wind lifted under the plastic it gave the extraordinary impression that the sea was running up the cliffs. Like an upward waterfall.</em></p>
</blockquote>
<p align="left"><em>I said to Jeanne-Claude, “How can you be upset with that? It is spectacular. Stunning!” But, I guess, it wasn’t what they had planned and dreamed of. I’m 81 now but I shall never forget it. Amazing!</em></p>
<h5 align="left">– Patricia Dunn</h5>
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	<h5 align="left"><a href="https://kaldorartprojects.org.au/projects/project-1-christo-jeanne-claude/" target="_blank" rel="noopener">READ MORE ABOUT<br />
PROJECT 01: CHRISTO AND JEANNE-CLAUDE</a></h5>
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		<span class="fl-heading-text">View Other Living Archive Stories</span>
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		<title>Abseiling Little Bay</title>
		<link>https://kaldorartprojects.org.au/archives/abseiling-little-bay/</link>
		
		<dc:creator><![CDATA[reason8]]></dc:creator>
		<pubDate>Tue, 06 Jul 2021 02:07:14 +0000</pubDate>
				<guid isPermaLink="false">https://kaldorartprojects.org.au/?post_type=archives&#038;p=3785</guid>

					<description><![CDATA[It some ways it looked very simple, in other ways it looked very complex... The play of shadows and light across it was amazing. It really had a living presence about it.]]></description>
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		<span class="fl-heading-text">KEITH BELL</span>
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	<p><span style="font-size: 16px;"><em><p>It some ways it looked very simple, in other ways it looked very complex&#8230; The play of shadows and light across it was amazing. It really had a living presence about it.</p>
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						<div id="caption-60e3bc37a9fcc" itemprop="caption" class="fl-photo-caption fl-photo-caption-hover">Keith Bell abseils on the site of <em>Wrapped Coast</em> at Little Bay during an abseilers' reunion in November 2019. Photo: Michael Waite</div>
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	<p>One of the most challenging aspects of installing Christo and Jeanne-Claude’s <em>Wrapped Coast</em> was the necessity of attaching hundreds of square metres of fabric to the steep cliff face. To accomplish this, abseilers were recruited from the rock climbing community, including Keith Bell, a 23-year-old engineer and draftsman with the Water Board.</p>
<p>Many of the climbers had full-time jobs and could only abseil on weekends, or if they decided to take a “sickie“. Keith recalls a number of climbers calling in sick to work at this time, as it was a rare opportunity to get paid to do something they enjoyed. The pay was $20 per day, an excellent rate for 1969, as Keith recalls his Water Board salary being $20 per fortnight: “Twenty dollars a day was fantastic.”</p>
<p>They would create anchors to abseil from by taking car bumper bars from the nearby tip and using Ramset guns to bolt them to the cliff top. Using sit slings, they would hang from the ropes and tie the orange rope and fabric to the cliff face. As a climber who appreciated the natural beauty of rock formations, Keith was fascinated by how Christo’s wrapping transformed the site:</p>
<blockquote>
<p align="left"><em>It some ways it looked very simple, in other ways it looked very complex. Sometimes it looked like an alpine scene, at other times it looked like a cascading waterfall. It just seemed to have different moods. The play of shadows and light across it was amazing. It really had a living presence about it.</em></p>
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<p align="left">In a little-known postscript to the project, Christo allowed Keith to take approximately 300 metres of leftover orange rope to use on future climbs. It was put to use on the early 1970 ascent of Balls Pyramid, the caldera that rises from the Pacific Ocean 20km east of Lord Howe Island.</p>
<p align="left">One of Keith’s strongest memories of working at Little Bay was the camaraderie and cooperation among so many people who didn’t know each other but were working towards a common goal:</p>
<p style="padding-left: 40px;" align="left"><em>Wrapped Coast was a real teamwork thing—there was a lot of friendship and bonhomie. I can’t remember a terse word. I remember working with my mates, and working with other people and everyone striving towards a goal in a really amicable, friendly sort of way. It’s really nice when there’s a melding of people doing various things towards a project. It had various aspects from the flat to the steep to the seashore, and it needed teamwork, and the teamwork was there.</em></p>
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	<h5 align="left">READ MORE ABOUT<br />
<a href="https://kaldorartprojects.org.au/projects/project-1-christo-jeanne-claude/" target="_blank" rel="noopener">PROJECT 01: CHRISTO AND JEANNE-CLAUDE</a></h5>
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